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Jean-Auguste Dominique Ingres
The Turkish bath
mk198
1863
108cm in diameter Louvren,Paris
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Jean-Auguste Dominique Ingres
Victoria
nn09
detail of the Apotheosis of Homer
1827
Oil on canvas
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Jean-Auguste Dominique Ingres
Countess
mk227
oil on canvas
92x73cm
1812
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Jean-Auguste Dominique Ingres
Countess
mk227
120x92cm
1856
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Jean-Auguste Dominique Ingres
Portrait of countess
mk227
146.7x100.3cm
1851
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Jean-Auguste Dominique Ingres
Portrait of Liwi
mk227
115x90cm
1804-1805
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Jean-Auguste Dominique Ingres
Mis liwi
mk227
oil on canvas
99.5x64.5cm
1806
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Jean-Auguste Dominique Ingres
Ms Markte
mk227
93x74cm
1826
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Jean-Auguste Dominique Ingres
Maeki
mk227
Oil on canvas
1811
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Jean-Auguste Dominique Ingres
Yusifu
mk227
75.2x58.1cm
1810
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Jean-Auguste Dominique Ingres
Zaerxi
mk227
93.7x69.4cm
1810
Oil on canvas
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Jean-Auguste Dominique Ingres
Portrait of Fulong
mk227
55x46cm
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Jean-Auguste Dominique Ingres
Portrait of Per
mk227
64.8x54.5cm
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Jean-Auguste Dominique Ingres
Portrait of Lady
mk227
116x82cn
1805
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Jean-Auguste Dominique Ingres
Portrait of Lady
mk227
1805
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Jean-Auguste Dominique Ingres
Love and beautiful goddess
mk227
1808-1848
Oil on canvas
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Jean-Auguste Dominique Ingres
Bather
mk227
116x82cm
1808
Oil on canvas
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Jean-Auguste Dominique Ingres
Vinasi
mk227
oil on canvas
1822
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Jean-Auguste Dominique Ingres
lady-in-waiting and bondman
mk227
1839
Oil on canvas
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Jean-Auguste Dominique Ingres
Man
mk227
1800
Oil on canvas
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| Jean-Auguste Dominique Ingres
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French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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